入浴者版畫
Watercolor Monotype PrintTutorial我學會了在我的設計類一個偉大的技術製作水彩蒙納不打印印刷機。Carefulworking will ensure a good print, but it's a one-shotdeal.細心的工作將確保一個良好的打印，但它是一個一錘子買賣。 Even a print that doesn't turn out still has alot of charm.即使是打印不轉出還是有很多的魅力。 This is an inexpensive way to play with printtechniques without any expensive printingequipment.這是一種廉價的方式與印刷技術來播放而無需任何昂貴的印刷設備。
Whatyou'll need:你需要什麼：
Artist'swatercolor paint藝術家的水彩顏料
Plexiglas or glasssheet有機玻璃或玻璃片
Printmaking paper版畫紙
Largebaking pan大烤盤
Towels毛巾
刷
Metalspoon金屬湯匙
Image,printed圖片，印刷
Maskingtape美紋紙膠帶
選擇你要打印的圖像，然後反轉圖像中的圖形程序，並打印在標準重量的紙張。 I'm using a painting by Ingres called "TheBather" as my print image in thisassignment.我使用的是繪畫安格爾被稱為“沐浴者”作為在這個任務我打印圖像。
Prepareyour clear surface for printing by washing with soap and water toremove any dust or oils that will keep the watercolor from adheringto thesurface.準備好你的清晰的表面用肥皂和水清洗，以消除任何灰塵或油，將讓水彩附着在表面印刷。I'musing a piece of Plexiglas that I had cut to size at my local artstore as my printplate.我使用了一塊有機玻璃，我已經切割成一定的尺寸在我的本地藝術品商店作為我的版畫。Ifyou're using Plexiglas, make a few passes over your printingsurface with the abrasive side of a sponge while washing the firsttime.如果您使用的是有機玻璃，做一些傳球在你的印刷表面，用海綿的磨料一邊洗第一次。
Tapeyour printed image to the opposite side of the Plexiglas that wejust prepped so that the image is facing you when the printingsurface is facingup.膠帶的打印圖像，我們只是prepped，使圖像正對着你當印刷表面朝上樹脂玻璃的另一側。
Usingthe image below as a guide, paint directly onto the plate addinglittle to no water to keep the paint from beading up on thesurface.使用下面的圖片作為參考，直接繪製到印版上增加很少或幾乎沒有水，以保持塗料的表面上形成水珠了。I'musing a tube each of black and whitewatercolor.我使用的每一個黑白水彩管。 Be careful not to get gouache for this technique,since it doesn't transfer properly and can rip the paper whileremoving from theplate.要小心，不要讓水粉這種技術，因為它不傳輸正常，可以撕裂的紙，而從盤移除。
Keep inmind that the first layers to be painted onto the plate will be thelast ones printed, meaning they will be on the top layer of theprint.請記住，要塗到板的第一層將是最後的印刷，這意味着他們將成為打印的頂層。Layeringof paint should be applied quickly in order to not blend and muddythe layer closest to the surface of theplate.塗料的分層應以不混合和泥濘的最靠近所述板的表面層很快被應用。
Whensatisfied with your design, remove the taped image from the back ofthe plate.當您的設計滿足，從板的背面卸下錄音形象。 Place on a white surface or hold up to the lightto check for coverage.放在一個白色的表面或撐起來的光檢查覆蓋面。Touch upany spots necessary, then allow plate to drycompletely.觸摸起來有必要的任何點，然後讓板完全乾燥。
雖然塗料乾燥盤上，減少您的版畫紙分成相等的大小，以適應你的盤子。 I used a 9"x12" piece of Plexiglas and was ableto get 6 equal pieces out of my sheet of printmakingpaper.我用了一個9“X12”一塊有機玻璃，並能得到6等份我的版畫紙的板材。
Soakyour paper in a pan filled with water, agitating to get all bubblesoff the surface of thepaper.浸泡紙裝滿水的鍋，攪拌來獲得所有的泡沫落紙的表面。 Leave in bath for at least 5minutes.留在浴至少5分鐘。
小心地從紙上撕下你的形象，慢慢移動從一個角落到對面。 Do not allow the paper to sit after transferringthe image or the paper will not remove from the plate withouttearing.不要讓從板塊沒有撕破紙張坐傳送圖像或文件之後，不會刪除。 Place your image face up todry.將您的圖像的一面朝上晾乾。
Continuethis process for remaining prints.繼續此過程，剩餘的打印件。You canuse the shadow of paint on the plate to give you a guideline foryour next print if you'dlike.您可以使用在平板上油漆的影子，給你一個指導你的下一個打印，如果你願意的話。For thisproject, we took each image further toward abstraction, so eachimage breaks down a little further into the compositionalelements.對於這個項目，我們進一步把每個圖像走向抽象，所以每個圖像分解再一點點進入構圖元素。
Afterthe paper and paint have dried completely, place between two heavyflat objects to pressstraight.之後，紙張和油漆已完全乾燥，二重重平面物體之間的地方，按直線。 Leavefor a few hours in a dry area.離開了幾個小時在乾燥的地方。I liketo press all my images at once, putting a piece of paper betweenthe top print and my flat heavyobject.我想按我所有的圖片一次，把一張紙頂部打印和我平重物之間。 I usually use two text books, or two boardsweighted with text books or cannedgoods.我通常使用兩個文本的書籍，或兩塊板加權與課本或罐頭。
夢想與現實之間的磨合讓我讀懂很多生活的語言，風雖改變了方向，卻沒有改變我的行程-----
來源網址：_感謝獨茂蘭石授權轉載，再轉請保留本信息。
